Landscape and Memory:
Martinican Land-People-History
Produced by Renée Gosson and Eric Faden
Bucknell University 2003
Click here to visit this site in French/Visiter ce site en français.
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The Martinican writers ask how, in a country (or a "Department") like Martinique, does a colonial power "re-map" space and land? How does it "re-map" a people's memories and identities? And can one resist this re-mapping?
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In five different sections, the writers examine the possibilities of landscape as a repository for a forgotten past, Martinique's economic dependence on France, the recent "cementification" of Martinique, the politics of commemoration, and the possibilities for Creole culture. The film combines the writers' environmental and ideological concerns with actual footage of the island, showing the symptoms of cultural devastation (satellite dishes, advertisements, supermarkets, regression of the mangrove swamp, etc.)
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Shot on location in Martinique in March of 2001 by two independent American filmmakers, Landscape and Memory also poses several questions about the documentary form. The film is called a "média-stylo" paying homage to French film theorist Alexandre Astruc's 1948 manifesto "La caméra-stylo." This manifesto urged filmmakers to develop a genre that was neither documentary nor fiction but closer to the form of the essay--poetic, fragmented, open-ended, speculative, reflexive, and subjective. Using moving images, text, sound, music, and voice, Landscape and Memory is--to use Jean-Luc Godard's words--"research in the form of spectacle." By using this style, the film neatly reflects the structure of recent French West Indian novels, which are often themselves a métissage of history, narrative, documentary, and poetics.
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Length: 30 mn. Language: French (with English subtitles) Format:
VHS and DVD
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For film rental
and sales: Third
World Newsreel Tel. 212-947-9277 |
Renée Gosson is an associate professor of French For filmmaker appearances and inquiries: landscape@bucknell.edu Click here for film brochure (pdf)
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Eric Faden is an associate professor of Film Studies and English at Bucknell University. His research includes early cinema and digital imagery. He has also made several experimental films that imagine what academic research might look like as a product of electronic (rather than literary) culture.
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