Humanities 98, Sec. 2/English 98, Sec. 1

Myth Reason and Faith: The Seminar

Syllabus, Fall 2005.


Required Texts
  1. The Illiad, trans. Robert Fagles
  2. Homer, The Odyssey, trans. Robert Fitzgerald
  3. The Bible, Authorized King James Version with Apocrypha, Oxford World's Classic
  4. Penguin Dictionary of Classical Mythology by Pierre Grimal
  5. Aeschylus, The Oresteia, trans. Robert Fagles
  6. Plato, Symposium, trans. Woodruff and Nehamas
  7. Plato, Trial and Death of Socrates, trans. John M. Cooper, ed. G.M.A. Grube
  8. Aristotle, Nichomachean Ethics, trans. Ross
  9. Virgil, The Aeneid, trans. Robert Fitzgerald
  10. Dante, Vita Nuova, trans. Mark Musa
  11. Augustine, Confessions, trans. Henry Chadwick
  12. Sir Gawain and the Green Knight, trans. Winny

    Other texts will be available on e-reserve.

Please note that the preferred style of citations for written work in the course will be MLA style; a guide to this style of citing sources is on line at www.bucknell.edu/Library_computing/Doing_Research_Aids/Citation_Guides.html (linked from the library catalog page through "Doing Research").

Written Work
Two five-to-seven-page papers and seven reading journal entries will be required. You will have the opportunity to revise essays after getting a first-round of comments from me, if you wish.
Myth and Faith in Ancient Greece and Israel
In the earliest times, which were so susceptible to vague speculation and the inevitable ordering of the universe, there can have existed no division between the poetic and the prosaic. Everything must have been tinged with magic. Thor was not the god of Thunder; he was the thunder and the god. --Jorge Luis Borges, "The Gold of the Tigers"

...in recent times we have seen a huge split develop between a classic culture and a romantic counterculture - two worlds growing alienated and hateful toward each other with everyone wondering if it will always be this way... --Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance, an Inquiry into Values
Week One. August 25. Iliad 1, 9, Campbell and Meletinsky selections

Week Two. August 30 and September 1.
T: Iliad 16, 18, 22, 24. First journal due.
R: Odyssey 1-6

Week Three. September 6 and 8.
T: Odyssey 7-12. Second journal due.
R: Odyssey 13-18

Week Four. September 13 and 15.
T: Odyssey 19-24, Aldo Leopold selection. Third journal due
R: Genesis 1-17

Week Five. September 20.
T: Genesis 18-50
Greek Drama and Philosophy: Birth of Western Culture?
Two great principles divide the world, and contend for the mastery: antiquity and the Middle Ages. These are the two civilizations that have preceded us, the two elements of which ours is composed. All political as well as religious questions reduce themselves practically to this. --Lord Acton, unpublished manuscript, c. 1859

[In postmodern culture, the past] can be regarded more as a source of images, narratives and ideas that can be plundered, re-combined or re-staged to simulate, or to perform - independently of any desire to emulate its cultural or spiritual ideas and practices. --Stephanie Trigg, critiquing Acton's comment, The Heidelberg Review of English Studies (Sept. 11, 2001)
Week Five. September 22.
R: Oresteia
F: First Essay Due

Week Six. September 27 and 29.
T: Oresteia
R: Symposium

Week Seven. October 4 and 6.
T: Plato, Symposium, Zen and the Art of Motorcycle Maintenance, Fourth journal due.
R: Trial and Death of Socrates
F. Rewrite of First Essay due.

Week Eight. October 11 and 13.
T: FALL BREAK
R: Aristotle, Nicomachean Ethics, Simpsons selection
From Rome to the Desert: Empire and Christianity
...we have to hasten to the hills as the fish to the sea, lest if we linger [in the city] we should forget the inner life. --St. Antony, in his Life by Athanasius the Great
Week Nine. October 18 and 20.
T: Vergil, Aeneid 1-4
R: Aeneid 6-8, 12

Week Ten. October 25 and 27.
T: Gospel of St. John, Eriugena selection, Fifth Journal due
R: Gospel of John

Week Eleven. November 1 and 3.
T: Selections from Life of St. Antony, Augustine
R: Augustine, Cassian selections. Sixth Journal due

Week Twelve. November 8 and 10.
T: Étain/St. Brigit
R: Lanval/Rubey selection
Emergence of the "Modern Self"
What had thus been gained in equality and therefore in performance and historicity had perhaps been lost at the level of the experience of identification...difference and identity...the source of ecstasy and mysticism. --Julia Kristeva, "Dostoevsky, the Writing of Suffering, and Forgiveness"

Week Thirteen. November 15 and 17.
T: Sir Gawain and the Green Knight
R: Sir Gawain and the Green Knight.
Seventh Journal Due

Week Fourteen. November 22 and 24.
T: Vita Nuova, Louth and Cary selections. Second Essay due.
R: THANKSGIVING

Week Fifteen. November 29 and December 1.
T: Vita Nuova, Paradiso selection
R: Tolkien selections

Week Sixteen. December 6.
T: Tolkien. Course conclusion. Optional Rewrite of Second Paper Due
Assignments:
Journals (35%). Seven times this semester you will be required to write a 2-3 page journal on the readings for that week, using topics that I will assign. This journal will be collected at the beginning the class in which it is due. The purpose of the journals is for you to directly engage with some aspect of the text under discussion and with a particular problem in college writing in general, so use of secondary sources (except for reference works) is prohibited. We will talk more about how a journal differs from an essay in class.

Essays (40%) . Two 5-7 page papers on topics that I will assign. The first paper will be graded in two stages, once on a first draft that you submit and again on the final draft when you resubmit it. The second will have an optional rewriting portion.

Class Participation (25%). The goal of this course is to help you to acquire a set of skills, as well as to give you access to a body of knowledge. Understanding involves articulation and expression, and the more you participate in discussion, the better you will get at making sense of difficult tests. Being articulate is a life skill, as well as a way to make ideas that you're studying meaningful in your own life and for others in our community while building your own personal portfolio of talents.

[Go to the Top of the Page] [Go to the Main Page]